I learned about the Fujica Half while researching sub-miniature and half-frame cameras online. I don’t recall exactly where I learned about this camera, but I decided I had to have one. After watching eBay for a while, I got one for $46.75 shipped this past January.
It arrived in the mail on a Saturday afternoon. I opened the package like it was Christmastime (except more carefully), and was immediately pleased with the size and heft of the camera. It didn’t look like the built-in selenium light meter was responsive, though, which was a bummer. No worries — I’d just forked over some money-well-spent for a battery adapter for cameras and accessories that were build to use mercury batteries, so my Kalimar accessory shoe light meter would serve me well. I was so excited, I loaded up the camera and took it to dinner to try it out.
In the car en route to our favorite Vietnamese joint, I realized that the needle in the viewfinder was moving, and the on-board meter was functional. I compared the readings between all three meters — the Light Meter app on my iPhone, the Kalimar, and the selenium cell meter — and they all read 1/30 sec at f/2.8 indoors. (Which is admittedly on the low end of not needing a tripod, but I was anxious to start shooting with this little camera, so I took a chance.)
[Taken 21 January 2017]
[Taken 21 January 2017]
I completely forgot that I hadn’t tested this camera at all after I’d tried unsuccessfully to get the light meter to work after I first bought it on eBay in August 2015. I got a mighty good deal on it, due to its cosmetic condition. The dings and dents and missing cosmetic bits don’t really bother me so much, as long as the camera works. I’d rather have a camera with character, anyway.
[Taken 19 Jan 2017]
From the Rollei 35 test roll, taken in downtown Toledo this past January. More to come… including an unusual interaction with a stranger, and proof that the Rollei 35 is not a “selfie” camera.
I picked up this camera at Savers for $3.99, all wrapped in a plastic bag with its flash, original lens cap, and a PC cord. At first glance, I mistakenly thought it was a trashcam — that is, a cheap plastic 35mm jobbie with a few rudimentary settings and a shitty lens. I bought it under that assumption, because I like the variability of trashcams. (File under: Life is like a box of chocolates)
When I realized what I’d actually bought, I was over the moon: a Sears-branded Ricoh rangefinder. It had gummy seals (and lots of them) and needed a battery, but the shutter appeared to work. I just needed to get it clean and tested. Knowing my love of rangefinders, I expected that this might end up on my film camera short-list, so I was excited to get going on it.
I picked up this late ’80s – early ‘90s fixed focus point-and-shoot at Goodwill for a few bucks late last summer. Since discovering that my son’s generic blue 35mm camera actually takes pretty cool and hipstery pictures, I decided to take a chance on romance and start picking up some more point-and-shoot and “trashcam” models.
TL;DR: This point-and-shoot takes pretty decent photos overall. Pretty sharp focus at midrange, some vignetting in certain situations. Feels comfortable to use. I kinda like it. I might experiment with the apertures a bit in the future.
I bought my Cosina CX-2 on eBay last spring for under $25 shipped. I’d been waiting for a decently priced one, especially since I overpaid through the nose for my Lomo LC-A back in 2004, and the Cosina CX-2 was purported to the THE camera that the LC-A was modeled from. I got this particular camera for a decent price — mostly because the seller was upfront that it needed new light seals.
Honestly, it’s not that bad. My Olympus XA has seals that don’t look much better, so I figured I’d take it out for a spin without doing any seal replacement (mostly because I’m still inexperienced at replacing light seals).
I was on the fence about the seals for a while, though, so I didn’t take the camera out for a test drive until September. I took the CX-2 for a walk to the new Middlegrounds Metropark in downtown Toledo, then finished off the roll that weekend.
[Taken 1 October 2016]
This was the last frame from the maiden voyage of the Cosina CX-2, precursor to the Lomo LC-A. Expect an actual in-depth review sometime soon, but the tl;dr version is that Lomo did a pretty good job of copying this camera, for the most part, but the Cosina feels a bit more reliable.
I haven’t taken my Lomo for a spin for a good seven years or so, mainly because if I want a compact film camera that can be fully automatic, I’ll just take the Olympus XA — and I rarely want that high-contrast “Lomo” look about my photos these days. The Cosina, though… it has all the charm of my LC-A with none of the fuss. It might get some time to shine.
Last year, I bought an earlier model of the Voigtländer Brillant (technically the Brilliant, as the model I bought was the English variant) when I had intended to buy the Brillant V6. This June, I finally got my hands on the V6.
As a lover of vignetting and slightly quirky focus, I found it well worth the wait.
I found the Official Boy Scout 3-Way Camera at the local antique mall back in late March — I probably shouldn’t have paid $14.50 plus tax for it, but I did. Not the entire kit, as advertised above in the December 1959 issue of Boys Life, but just the camera.
And it still had film in it!
I finished the roll of film in the camera with my son — alas, the photo above, taken in the antique mall, was the only “found” photo that came out. The photos we took at home on the found roll were actually fairly salvageable with only minor digital tweaks.
I purchased the Kodak Brownie Fiesta R4 at an antique mall last July for $8.30 (discounted from $10). Once spring rolled around and I found myself looking for a camera to take out, I loaded it up with expired (2014) Bluefire Murano film, ISO 160.
A quick check of brownie-camera.com told me that the exposure is fixed at 1/40 sec @ f/11, so I knew to keep this bad boy very, very still. In the end, though, I didn’t see any discernible difference between the shots where I braced the camera against a fence post or railing and the shots I handheld.
I’m really not sure why I continue to collect fixed-focus Brownie cameras. So many of them end up being reliable snapshot cameras — which is what they were designed to be — and nothing more. (See also: Brownie Reflex 20, Brownie Starmite) This one is no exception. It has a minor light leak at the bottom of the frame, but apart from that, the exposures (on a sunny day) were crisp and spot-on.
I posted the entire roll to Flickr, but the long and short of it is that I’m not enamored with this camera. I don’t hate it, but it doesn’t have the je ne sais quoi I require for a camera to go into regular rotation. I’ll probably come back to it later with a roll of black and white and try again, but not for some time. For now, it’s going to sit on the shelf with my other Brownies.