Reel-to-Reel
Tape
-- late 1940's Comparing
Audio Technologies
-- specs, etc.
RCA
Cartridges
-- 1958-1964
Cassette
Tape
-- 1963-present
4-Track
Tape
-- mid 1960's
PlayTape
-- 1967-1969
8-Track
Tape
-- 1960's-1983
Elcaset
-- 1970's
Digital
Audio Tape
-- late 1980's
ADAT
-- late 1980's
Digital
Compact Cassette
-- 1992-1996
References
The
wire recorder had been developing for several years when in mid-40's,
several companies began to work on a magnetic tape recorder. Several
types of tape were introduced, including a plastic-based tape with
oxide, which became the industry standard. Many professional tape
recorders were introduced in the late 40's, and in 1950, two-channel
tape recorders were introduced to make stereo recordings of music
(for demonstration purposes).
RCA introduced a new cartridge recorder in 1958, using 1/8 inch magnetic tape at 3 3/4 ips (the same as the later 8-Track) and requiring a separate player/recorder. The stereophonic tapes -- which bore a striking resemblance to modern cassettes, but three times larger -- held two one-hour stereo programs, and a 1958 catalog of tapes (mostly fictitious) was released. By August 1959, player/recorder units were finally being shipped to distributors, but only 16 recordings were available. RCA had introduced portable units and playback-only units by 1961, and established a tape club to distribute the cartridges, mostly classical and light jazz instrumentals. Sears-Roebuck had also considered marketing a radio-phonograph-cartridge console which never was produced. However, in late 1961, what little market RCA had for stereo cartridges had seriously diminished -- but production did continue by a licensee, Bell Sound, until 1964.
In
1963, Philips demonstrated the first compact audio cassette using
1/8-inch tape at 1 7/8 ips. These were testmarketed in 1966 in
Britain, more than a year before their release in the U.S. In 1984,
cassette sales exceeded LP sales for the first time.
One relatively short-lived looping-tape format was the 4-Track tape -- it coexisted and competed with the 8-Track tape for a few years, but was soon overtaken. 4-Track tapes were almost identical to their successor, the 8-Track, except for the fact that they had 2 stereo programs instead of four, the inner mechanism was slightly different, and there was a notch on the outer casing. Unfortunately, 8-Track players are unable to play 4-Track tapes without an adapter.
PlayTapes
were common in the late 1960's, being one of the first truly portable
formats. Over 3,000 artists recorded these 2-track PlayTape
cartridges, including The Beatles and The Grateful Dead, along with
the entire Motown catalog. With the upsurge of the 8-Track, PlayTapes
were obsolete by 1970. However, PlayTape represented a major step in
the pre-recorded music industry and is a joy and challenge to
collectors of many sorts.
The standard
8-Track,
or "Stereo-8," format became popularized in the mid-60's and quickly
overtook its near-identical twin and close competitor, the 4-Track
tape, as well as PlayTape. The 8-Track industry enjoyed a boom in the
early to mid-70's, but died off mainly due to the growing popularity
of the cassette tape. In 1983, the recording industry as a whole
ceased to manufacture 8-Track tapes -- however, there are still
die-hard fans of the format who collect, sell, trade, and even still
record 8-Tracks.
Near the end of 1992, the Digital Compact Cassette, or DCC, was introduced. This technology was intended to be a step up from the analog cassette, and DCC players were indeed able to play the traditional analog cassette. However, this close cousin to the Digital Audio Tape was short-lived, and in October of 1996, Philips discontinued manufacturing DCC for home use.
CD
Europe has over 150
titles available on Digital Compact Cassette.