Giving Blood Can Be Fun

I donated blood for the first time yesterday.

It wasn’t bad.

Sky Insurance, across the street from the Sky Service Center where I work, hosts a blood drive every so often. I’m not sure what made me decide to donate this time, after being eligible for 13 years and never having done it before. It just seemed like a simple thing, a no-brainer. I asked our department’s regular blood donor about the process, and we opted to make back-to-back appointments and walk over together.

I’d like to give a detailed account of everything that went on, just for my own journaling’s sake — but, honestly, it was pretty tame. Jess and I went in, read the blue binders of donor prerequisites and information (no, I haven’t visited the UK recently and gotten the bird flu or mad cow or some other fool thing, but thanks for asking), and finally were invited behind a privacy screen for our mini-physicals. Basically, they pricked my finger and checked my iron levels (which were declared safe enough to allow me to donate), took my blood pressure (which, from what I could tell, seemed to be 120-something over 88 or so), and had me answer the insipid questions I’d already read in the blue binder.

Then it was go time. I climbed up into the bed thingie and offered forth my right arm. Got swabbed with iodine a couple times, had tubing taped to me and a blood-pressure cuff wrapped around my arm, squeezed the squishy ball like the nice lady asked, and pointedly looked at the ceiling while she stuck me with the needle.

It wasn’t bad. At all.

The needle only stuck a little. I don’t have a “thing” with needles like *some* people I know (ahem), and I haven’t been to a doctor in years, but I know enough about myself and past needle experiences that I know I’m OK if I don’t know the exact moment of insertion. If I watch, I get all tensed up and it makes things worse. So, when I felt the moment coming, I looked up at the ceiling and let the nurse do her stuff.

The nurse, Michelle, had told me to squeeze the squishy ball every five to ten seconds. I was hesitant at first to squeeze it too hard; I could feel that there was a needle in my arm, even though it wasn’t painful, and I was worried that squeezing too hard might *make* it painful. After a while, though, I got up the nerve to squeeze a little harder than just with my fingertips, and it was just fine.

Then I got really brave, and took a look at my arm. Attached to it was a length of tubing. Clear tubing, made an oddly opaque red from the inside. From the blood coming out of the crook of my elbow. I could feel warmth where the tubing was lightly fastened to the inside of my wrist. It was strange. But I was OK with that. At that moment, I actually wished I’d brought the digital pocket camera to take a picture of my arm as I was donating blood, because I thought it looked so… unusual.

After a few minutes, I noticed that Jessica’s blood bag was starting to fill up. I wondered how the staff knew when the bag was full. As if on cue, the metal arm holding the blood bag tipped downward with a clunk. A balance scale! Not even a minute later, I felt my own stand clunk, and one of the attendants came to disconnect me. I don’t recall the exact sequence of events, but she took the blood that hadn’t made it into the bag and filled up several vials — for testing, presumably. Handy, that — very little wasted blood. Once she was done, she deftly removed the needle from my arm and pressed gauze to the puncture, telling me to apply pressure and hold my arm up over my head. No problem.

Jessica and I lay there on our elevated beds with our elevated arms, feeling only a little silly, with the Sky Insurance employees watching us through the windows from their smoke break outside. Then we got bandaged up — “This stays on for five hours,” the nurse said as she applied a standard-looking medical-grade Band-Aid. “This stays on for one hour,” she added, applying some folded gauze on top of the bandage and securing it with medical tape. She then instructed us to spend ten minutes at the “canteen” before we left.

One small bottled water and two chocolate-chocolate-chip cookies later, we were on our way back to work.

As we left the building, Jessica asked how often I’d given blood. When I told her this was my first time ever, she said she had no idea I hadn’t given blood before. Apparently, I was a “champ.” 🙂

I was a little fuzzy for the rest of the day, and I took a nap after work. The area inside my elbow didn’t bruise at all, though. Not even a little. I can still see the stick-mark, but it’s only sore when I deliberately press on it.

That wasn’t bad. I’m planning to do it again, next time Sky Insurance holds a blood drive. I could make this a habit.

Database Wrapup

Tomorrow’s going to be a mighty early morning. James and I are getting to work at 7:30am — half an hour early for me, a whole hour early for him — to put the finishing touches on the Loan Corrections database.

It’s been nearly three months that we’ve been working on this database, and it’s finally reached completion. For now. The next step is developing databases for other departments within the Loan Servicing umbrella. We have meetings scheduled with two out of three supervisors: one on Friday, one on Monday. After our preliminary meetings, we write synopses/proposals for each department’s potential database and submit them to our supervisor, who will then submit them to his supervisor, who will then decide which department gets first dibs on us.

We haven’t been promoted, per se, and we haven’t gotten a change in pay or job description. We have been removed from the main brunt of Loan Corrections duties indefinitely, though, and are getting beaucoup experience. If they don’t change our MRs (Major Responsibilities), we can just leave. By the time these other databases are complete (and after I’ve safely taken maternity leave sometime next year), we will have amassed enough experience to get a better job elsewhere. Then Loan Servicing will have a bunch of databases with no administrator, and Application Services will have to support even more products made by “rogue programmers” (their words).

That said… I probably shouldn’t have indulged in that 90-minute nap today. It’s going to be a challenge to go to bed early enough to wake up at the buttcrack of dawn tomorrow.

Ouran High School Host Club

My experience with anime and manga has mainly been through Aaron. After ten years together, he has a feel for things I would probably like, and introduces me to them. That’s how I found out about Neon Genesis Evangelion, Serial Experiments Lain, Tonari No Totoro and all the other Studio Ghibli movies, and all my other favorite anime (of which I may or may not have yet finished watching the entire series). Hence, I get exposure to a lot of robots and mecha (like Eva), or blatant mind-fuck anime (like Lain, and like Eva), and some sci-fi type titles. I haven’t really gotten into the shonen titles, because I’m not much for ninjas and hack-and-slash type entertainment.

However, I am also not a overly girly person by nature. I shy away from anime featuring bishonen or magical girls or anything overly girlish. If not for Erin’s manga review of the Ouran High School Host Club, I would certainly have passed it by without a second glance. I mean, really. A bunch of obviously bishonen guys on the covers of this manga, and with a pink and purple cover, no less? Please.

Erin’s review piqued my interest, though:

By 2002 host clubs were all the rage…. Rich women would pay big money to talk to hot young men. Ouran High School Host Club is the high school equivalent thereof – idle rich girls at a private academy hang out with the host club’s hot young men in an ornate, unused library. They’re not looking for sexual favors later, but they might want a date.

The protagonist, Haruhi (Haru for short), stumbles unknowingly into the club, breaks an $80,000 vase, is mistaken for being a hot guy herself, and is forced to work as a host to pay back her debt. At least one character is surprised to discover that Haru is actually a frumpy girl and not a guy – as a scholarship student she simply couldn’t afford the school’s fancy uniforms.

Much of the humor of the book is derived from fact that Haru is middle class while the boys are upper class. They’ve never had instant coffee or instant ramen! Haru has never had fatty tuna! The rest of the humor stems from Haru’s calmness as she is surrounded by metrosexual prettyboy dramaqueens, many of whom need their egos stroked continually. Haru becomes the calm in the middle of the host club maelstrom.

Ever since listening to this review on the Ninjaconsultant podcast, I’ve been buying up the English translations of the Ouran High School Host Club manga. And just last week, Aaron told me that he’d heard that the manga was being made into an anime — so, of course, I went out and downloaded the fansubs via BitTorrent.

Maybe it was just my inexperience with the act of reading manga (right-to-left just ain’t natural to me), but it took me watching the anime to finally realize why it is that I love this series so much. Sure, there are the guilty pleasures of looking at cute (yes, cute, but not necessarily handsome) high school boys. Even more than that, though, is the protagonist’s view of the metrosexual guys she’s forced to hang out with, and the flighty fluffies who come to the host club to drool over them.

The biggest draw for me, I just realized, is the satire. The stereotypes are fantastically funny: the supposedly popular guy whose ego gets crushed whenever anyone sees through him, the twins who border on having just a little too much “brotherly love”, the baby-faced Senior who carries around a stuffed bunny, the smart and diabolical schemer behind-the-scenes. Even Haru is kind of dull-witted at times, more so in the anime than in the manga, which makes for hi-jinx and hilarity when the punch line needs a little more beating into the ground to be truly funny.

There are six volumes of the manga available in English, and currently there are 13 episodes of the anime, which is still in production in Japan. Until Ouran is licensed in the U.S., I will valiantly download and watch every fansubbed episode, and be proud of myself for reading a manga and watching an anime that Aaron didn’t find first.

Black and White Film Photography

Like I mentioned earlier, I had loaded up my Olympus XA with black and white film a few months back, in preparation for Beth’s wedding. I was curious about shooting black-and-white with my XA, and it’s great in low light. I had also planned to test out the proprietary flash, but I realized too late that I’d forgotten to put a battery in it.

When I saw how dark the reception hall was, I thought for sure that none of the pictures would come out with no flash. So, I only took half the roll, not wanting to waste a relatively expensive roll of Kodak.

That was a mistake.

Had I just gone for it, and not worried about wasting film, I could have gotten so many great images. As it was, I only got about ten. This is where digital has definitely spoiled me: had I been able to see that the images were in fact good, I would have continued to shoot. As it was, I shied away from using up my film, because I’d started thinking of it as such a commodity as compared to my reusable memory card. I can’t let myself do that when I’m shooting film instead of digital, even if I’m not positive the pictures will come out. I have to take chances. After all, it’s just money, right? Besides that, I ended up blowing the rest of the roll on pictures of trees and shit, just to finish it up and get it sent off for processing.

I can also see the allure of black and white photography now. The last time I shot in black and white was my very first photography class, I think, and I truly didn’t appreciate the artistic possibilities back then. Shooting in black and white forces your brain to look at the scene a little differently, to see the tones and the composition, rather than the colors and the literal scene in front of you.

It’s difficult for me to see what would make a good black and white image when I’m looking at a color print (or jpeg). I know that people say you should shoot in color, then convert the image to black and white later if you think it would work better that way. If left to my own devices, I would focus on isolating the subject of a given photo using depth of field (having only the subject be in focus, and the rest of the photo be blurry). Using b&w, though, I don’t necessarily find that the only (or easiest) way to isolate my subject. Lighting conditions and composition can help create a powerful image, as well.

I should set my Nikon to black and white mode and go out photographing. Get some practice, see some different compositions, so that next time I’m faced with a film-based situation, I won’t feel so frugal with my frames.

Beth’s Wedding


[Posted on Flickr by dianaschnuth].

Finally got my pics back from Beth’s wedding back in February. I had experimented by loading some black and white film in my Olympus XA… but I forgot my flash. The pictures actually came out extremely well, though — I’ll have to post the rest here shortly.

Update, 5/27/06: I scanned in my negatives and posted them to Flickr. You can now view a slideshow of the ten good photos I took at Beth’s wedding. When I did my post-processing on the photos (i.e. Photoshop adjustments), I purposely left them a little dark, just to keep the ambiance. I was honestly surprised that so many of these came out — I don’t think they would have if I’d been shooting color.