Kodak Brownie Fiesta R4

Me with my Brownie FiestaI purchased the Kodak Brownie Fiesta R4 at an antique mall last July for $8.30 (discounted from $10). Once spring rolled around and I found myself looking for a camera to take out, I loaded it up with expired (2014) Bluefire Murano film, ISO 160.

A quick check of brownie-camera.com told me that the exposure is fixed at 1/40 sec @ f/11, so I knew to keep this bad boy very, very still. In the end, though, I didn’t see any discernible difference between the shots where I braced the camera against a fence post or railing and the shots I handheld.

I’m really not sure why I continue to collect fixed-focus Brownie cameras. So many of them end up being reliable snapshot cameras — which is what they were designed to be — and nothing more. (See also: Brownie Reflex 20, Brownie Starmite) This one is no exception. It has a minor light leak at the bottom of the frame, but apart from that, the exposures (on a sunny day) were crisp and spot-on.

The Oliver House

Danger: Construction Site No Trespassing

I posted the entire roll to Flickr, but the long and short of it is that I’m not enamored with this camera. I don’t hate it, but it doesn’t have the je ne sais quoi I require for a camera to go into regular rotation. I’ll probably come back to it later with a roll of black and white and try again, but not for some time. For now, it’s going to sit on the shelf with my other Brownies.

Overlook at the Wright Brothers Memorial

Connor with Grandma and Grandpa Cook
[Taken 17 June 2016]

My 80-year-old camera would choose this particular frame to slip and overlap the next frame, so that the resulting photo isn’t the standard square format — and didn’t get automatically scanned and uploaded by The Darkroom. Glad I still have my trusty Epson Perfection V700 Photo flatbed scanner on hand.

Not the best camera for portraits — and I didn’t exactly get the color adjustments quite right  in post-processing — but, like I’ve said before, I appreciate a slightly quirky camera. Plus, I got enough snaps with my iPhone to make up for one wonky film portrait.